The Elephanta Caves are a great tourist attraction in the vicinity of the large Mumbai meteropolis. The Elephanta island is located 10 km away from the Gateway of India at Mumbai. These caves house rock cut temples dating back to the 5th century CE.
The Elephanta island was so named by the Portuguese, after the statue of an elephant near the landing area of the island. These rock cut temples dedicated to Shiva Mahadeva are rich in sculptural content. Motorboats take passengers from Appollo Bunder near the Gateway of India.
How They were Constructed: This rock cut temples were created by carving out rock, and creating the columns, the internal spaces and the images. The entire temple is akin to a huge sculpture, through whose corridors and chambers one can walk. The entire complex was created through a process of rock removal. Some of the rock surfaces are highly finished while some are untreated bare rock.
The entire cave temple complex covers an area of about 60000 squrare feet and it consists a main chamber and two lateral ones, courtyards and several subsidary shrines. Above the temple is the mass of natural rock.
There are three entrances to this temple. The ones on the east and the west marking the axis of the temple. A 20 pillared hall lines the axis, and on its western end is the cella in shich is enshrined a Shivalingam . The pillars consist of fluted columns standing on square bases, and are crowned with fluted cushion capitals.
The enigmatic image of Trimurthi Sadasiva: The Sadasiva manifestation of Shiva is carved in relief at the end of the north south axis. This collossal 20 feet high image of the three headed Shiva, Trimurthy is a magnificient one, considered to be a masterpiece of Indian art. This colossal image represents Panchamukha Shiva , only three faces of whom are carved into the wall and it demands immediate attention upon entering the temple through the northern entrance. See
All About Shiva for more information on Panchamukha Shiva.
Also on the southern wall are grand sculptured images of Kalyanasundara, Gangadhara, Ardhanariswara and Uma Maheswara . To the west of the northern entrance are sculptured images of Nataraja and Andhakaasuravadamoorthy, and to its east are images of Yogiswara and Ravanaanugrahamurthy .
Thus in the Elephanta caves, Shiva is portrayed in the non anthropomorphic Shivalingam form, as well as in his quintessential being emanating from the Shivalingam in the colossal image, and in 8 manifest forms.
To the east of the main temple is a courtyard, flanked by the secondary shrine. This temple contains six pillars at its entrance, four of which are free standing and two engaged. The entrance leads to a hall decorated with sculptured panels depicting legends from the Shiva Purana.
Mumbai's most famous monument, this is the starting point for most tourists who want to explore the city. It was built as a triumphal arch to commemorate the visit of King George V and Queen Mary, complete with four turrets and intricate latticework carved into the yellow basalt stone. Ironically, when the Raj ended in 1947, this colonial symbol also became a sort of epitaph: the last of the British ships that set sail for England left from the Gateway. Today this symbol of colonialism has got Indianised, drawing droves of local tourists and citizens. Behind the arch, there are steps leading down to the water. Here, you can get onto one of the bobbing little motor launches, for a short cruise through Mumbai's splendid natural harbour. 
Nehru Centre was conceived in 1972, not as a mute memorial, but as living testament and monument of faith in Jawaharlal Nehru's vision of man, his compassion for humanity, his concern for humanbeings and his undying passion to lift them to the greatest and highest purpose.
The most prominent landmark Prabhadevi attracts many devotees from all over the city. Tuesday is considered the most auspicious day and devotees stand for hours (even before the crack of dawn) in long winding queues to seek blessings of Lord Ganesha. On special days the line can be s long as 3000 people or more.